Beyond Calligraphy – The World of Shodo

A tus varázslói 王羲之 (Wang Xizhi, i. sz. 303 – 361) 1. rész

Logic Behind The Magic – Brush Techniques, Part II (b).

Wizards of Ink: 王羲之 (Wang Xizhi, 303 – 361), Part IV

Why do People Ask Calligraphers to Have Their Name Translated from English to Japanese?

How Not to Price Your Artwork

Discovering My Inner Japanese Artistic Soul

Is language, and in our sphere of interest, written language not a ‘reaching out’ and a ‘taking in’, an active force?

平仮名 (ひらがな, hiragana): す (i.e. "su")

流派を越えて書の楽しさを

Encounters with Brushes: Part I

Review of Snoopy Japanesque

Preparations for a calligraphy exhibition

Kanji: 車

Could a machine write water Calligraphy?

The Pursuit of Pleasure Beyond Tradition and Style

When the Mind Soars, the Brush Dances: calligraphy research meetings

Shifty Characters

Illiterate heart – reflections on self.

Words Become Art All Around The World

Hairy Thugs

平仮名 (ひらがな, hiragana): う (i.e. “u”)

Sumi-e slikarstvo iz perspektive tradicionalno-akademski školovanog europskog umjetnika

An Introduction to the Art of Etegami

Kanji: 月

Symphony of Ink, Part II

Nichiren as Calligrapher, The Lotus Sutra, Siddham, and Moji-Mandala.

Kanji: 耳

Why should I worry about Colour Management? I am just a Calligrapher not a Photographer.

A Global Nomad Inspired By Asian Cultures: Part I

Tending the Spirit: An Interview with Master Ransui Yakata of the International Chinese Calligraphy and Ink Painting Society (ICCPS)

Israel and Japan: An International Exchange of Japanese Calligraphy

Huang Yao ’s unique Chinese calligraphy – Chuyun Shu (or Rising Cloud Writing) – Part 2

ペルソナ　ノン　グラータ（杉原千畝

A tus varázslói: 王羲之 (Wang Xizhi, i. sz. 303 – 361), 3. rész.

平仮名 (ひらがな, hiragana): て (i.e. “te”)

平仮名 (ひらがな, hiragana): し (i.e. "shi")

ことば・感動を書に

Kanji: 五

Kanji: 上 (German translation)

From Sumi-e to Facebook scams, the weeks wrap up of interesting links

平仮名 (ひらがな, hiragana): た (i.e. “ta”)