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Kanji: 耳
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SNOOPY JAPANESQUE
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Shodo & An Empty Mind
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Kanji: 音
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Stroke of Luck ~ The Power of a Brush Stroke
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Kanji: 上 (German translation)
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Israel and Japan: An International Exchange of Japanese Calligraphy
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Discovering My Inner Japanese Artistic Soul
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平仮名 (ひらがな, hiragana): な (i.e. “na”)
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How are Inkstones and Cast Iron Cookware similar?
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Kanji: 気
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PERSONA NON GRATA – Chiune Sugihara
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Magnificent Ink Giants
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Les magiciens de l’encre 王羲之 (Wang Xizhi, 303 – 361) 2ème partie
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Logic Behind The Magic – Brush Principles, Part I.
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平仮名 (ひらがな, hiragana): さ (i.e. "sa")
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How Not to Price Your Artwork
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墨の響きを感じる( 山田 修也氏インタビュー)
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平仮名 (ひらがな, hiragana): あ (i.e. "a").
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Calligraphy works: 龍 (りゅう, ryū), i.e.”dragon”
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A Few Words about the Process for Studying Calligraphy in Japan
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Calligraphy Performance with Jazz
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Calligraphy and Photography
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The Insider's Guide to Arabic Calligraphy
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Nichiren as Calligrapher, The Lotus Sutra, Siddham, and Moji-Mandala.
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A Global Nomad Inspired By Asian Cultures: Part II
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Huang Yao ’s unique Chinese calligraphy – Chuyun Shu (or Rising Cloud Writing) – Part 2
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Kanji: 出
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桂堂 を攀じる、パート1
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De l’importance de l’ordre des traits dans l’écriture des idéogrammes
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Introducing Hangul Art, by Cho Seung Hyeong.( 조 승 형, 趙承衡)
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What to do with ink leftovers?
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Nine Sons of The Dragon King
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Kanji: 火
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流浪的龍魂 水墨 痕跡
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An Unexpected Visit to Taiwan Master Calligrapher SYUE Ping-nan’s Studio
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How to understand Far Eastern Calligraphy? (Part One)
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Why Do We as Artists, Calligraphers and Sumi-e Painters Need to Re-learn what is Colour?
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Cómo entender la caligrafía del Extremo Oriente (parte 1)
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平仮名 (ひらがな, hiragana): お (i.e. "o")
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平仮名 (ひらがな, hiragana): し (i.e. "shi")
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Logic Behind The Magic – Brush Techniques, Part III (b)
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