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Category:
Learning
A Few Words about the Process for Studying Calligraphy in Japan
19/03/2012
All Japan Calligraphy and Literature Association has only 3 dan’s (whereas some other organisations have as many as 9). The…
Logic Behind The Magic – Brush Techniques, Part III (b)
15/03/2012
Characteristic of small seal script, note the circular movement of the brush tip at the beginning of each stroke, indicating…
Logic Behind The Magic – Brush Techniques, Part III (a).
28/02/2012
the way in which the brush is controlled by the arm, wrist and finger, allowing the calligrapher to write a…
Shifty Characters
23/02/2012
A given character written in each calligraphy script may have (and usually does) different forms and stroke order, though the…
Logic Behind The Magic – Brush Techniques, Part II (b).
16/02/2012
単包法 (たんほうほう, tanhō hō), where the ring finger and the small finger are adjacent to the inner side of the…
Logic Behind The Magic – Brush Techniques, Part II (a)
14/02/2012
In the pair grip method, the brush axis is held between the thumb, and the index finger merges with the…
Logic Behind The Magic – Brush Principles, Part I.
31/01/2012
In this series of articles I will focus on the methods of using a calligraphy brush (筆法, ひっぽう, hippō, lit.…
The Sun of Vast Skies – a calligraphy seal. Part II
09/01/2012
The art of seal pressing is a vital part of both calligraphy and ink-painting. Without knowledge of how and what…
The Sun of Vast Skies – a calligraphy seal. Part I
26/12/2011
Seal placement and the quality of the seal impression, so called “seal shadow” (印影, いんえい, in-ei), are crucial and require…
Little Great Calligraphy – Part I
22/12/2011
Small calligraphy requires true mastery of the brush to be powerful, for the lines to come alive and heat up…
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