Standard Script

Kanji: 森

By Ponte Ryūrui / 20/06/2012 /

森 follows a concept of three pictographs of a tree (木, き, ki) combined in one character, and it emphasises thick tree growth, i.e. woods.

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Kanji: 女

By Ponte Ryūrui / 09/05/2012 /

a philologist of the Han dynasty (漢朝, pinyin: Hàn Cháo, 206 B.C. – 220 C.E.) is quite simple and straight forward. Xu states that the character 女 represents a woman.

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Kanji: 出

By Ponte Ryūrui / 24/04/2012 /

The shape of the character 出 symbolises a step forward executed with vigour; each step starts from placing the heel on the ground. A strongly placed foot

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Kanji: 十

By Ponte Ryūrui / 12/04/2012 /

the shape of 十 was based on the concept of a vertically oblong tool used for calculations (Figures 1 and 2). Please also refer to the etymology of the

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Kanji: 手

By Ponte Ryūrui / 08/04/2012 /

Although the modern form of the character 手 may be somewhat misleading (6 fingers), the “hand” radical 扌 still resembles the ancient pictographs. One must remember

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Logic Behind The Magic – Brush Techniques, Part III (b)

By Ponte Ryūrui / 15/03/2012 /

Characteristic of small seal script, note the circular movement of the brush tip at the beginning of each stroke, indicating the application of the “hidden spear”

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Kanji: 車

By Ponte Ryūrui / 12/03/2012 /

we find a definition of 車, stating that it is a cart equipped with a seat(s) (human pulled carriage or sedan chair on wheels). Xu shen also indicates that

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Kanji: 七

By Ponte Ryūrui / 08/03/2012 /

the symbolic meaning of the character 七, describing it as one of the sacred numbers (聖数, pinyin: shèngshù), which are further split into two groups

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Kanji: 耳

By Ponte Ryūrui / 01/03/2012 /

耳 belongs to the 象形文字 (しょうけいもじ, shōkeimoji, i.e. set of characters of pictographic origin). It is a pictograph of a human ear.

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Shifty Characters

By Ponte Ryūrui / 23/02/2012 /

A given character written in each calligraphy script may have (and usually does) different forms and stroke order, though the stroke order is less rigid in

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