Semi Cursive Script

Calligraphy works: 龍 (りゅう, ryū), i.e.”dragon”

By Ponte Ryūrui / 26/07/2012 /

龍 (りゅう, ryū), i.e.”dragon”. The treasures used were a soft mountain goat brush (羊毛筆) with a long and thin bristle accompanied by thick but dry ink, which

Kanji: 森

By Ponte Ryūrui / 20/06/2012 /

森 follows a concept of three pictographs of a tree (木, き, ki) combined in one character, and it emphasises thick tree growth, i.e. woods.

Kanji: 女

By Ponte Ryūrui / 09/05/2012 /

a philologist of the Han dynasty (漢朝, pinyin: Hàn Cháo, 206 B.C. – 220 C.E.) is quite simple and straight forward. Xu states that the character 女 represents a woman.

Kanji: 出

By Ponte Ryūrui / 24/04/2012 /

The shape of the character 出 symbolises a step forward executed with vigour; each step starts from placing the heel on the ground. A strongly placed foot

Kanji: 十

By Ponte Ryūrui / 12/04/2012 /

the shape of 十 was based on the concept of a vertically oblong tool used for calculations (Figures 1 and 2). Please also refer to the etymology of the

Kanji: 手

By Ponte Ryūrui / 08/04/2012 /

Although the modern form of the character 手 may be somewhat misleading (6 fingers), the “hand” radical 扌 still resembles the ancient pictographs. One must remember

Logic Behind The Magic – Brush Techniques, Part III (b)

By Ponte Ryūrui / 15/03/2012 /

Characteristic of small seal script, note the circular movement of the brush tip at the beginning of each stroke, indicating the application of the “hidden spear”

Kanji: 車

By Ponte Ryūrui / 12/03/2012 /

we find a definition of 車, stating that it is a cart equipped with a seat(s) (human pulled carriage or sedan chair on wheels). Xu shen also indicates that