If Claude Monet ever imagined that his 1876 painting “La Japonaise” (his wife Camille in a “Kimono”) would be called racist, he and his fellow painters influenced by Japanese art and culture would be flabbergasted. To make a small correction, the painter’s wife is dressed in an “irouchikake (打掛)”, a gorgeously embroidered and very heavy piece of clothing worn at a bride’s wedding reception. The BMFA is featuring this painting, recently restored, and additionally has on hand similar … [Read more...]