Cursive Script Archives - Beyond Calligraphy

Kanji: 森

By Ponte Ryūrui / 20/06/2012 / 0 Comments

森 follows a concept of three pictographs of a tree (木, き, ki) combined in one character, and it emphasises thick tree growth, i.e. woods.

Kanji: 女

By Ponte Ryūrui / 09/05/2012 / 1 Comment

a philologist of the Han dynasty (漢朝, pinyin: Hàn Cháo, 206 B.C. – 220 C.E.) is quite simple and straight forward. Xu states that the character 女 represents a woman.

Kanji: 出

By Ponte Ryūrui / 24/04/2012 / 1 Comment

The shape of the character 出 symbolises a step forward executed with vigour; each step starts from placing the heel on the ground. A strongly placed foot

Kanji: 十

By Ponte Ryūrui / 12/04/2012 / 0 Comments

the shape of 十 was based on the concept of a vertically oblong tool used for calculations (Figures 1 and 2). Please also refer to the etymology of the

Kanji: 手

By Ponte Ryūrui / 08/04/2012 / 6 Comments

Although the modern form of the character 手 may be somewhat misleading (6 fingers), the “hand” radical 扌 still resembles the ancient pictographs. One must remember

Logic Behind The Magic – Brush Techniques, Part III (b)

By Ponte Ryūrui / 15/03/2012 / 5 Comments

Characteristic of small seal script, note the circular movement of the brush tip at the beginning of each stroke, indicating the application of the “hidden spear”

Kanji: 車

By Ponte Ryūrui / 12/03/2012 / 1 Comment

we find a definition of 車, stating that it is a cart equipped with a seat(s) (human pulled carriage or sedan chair on wheels). Xu shen also indicates that

Kanji: 七

By Ponte Ryūrui / 08/03/2012 / 1 Comment

the symbolic meaning of the character 七, describing it as one of the sacred numbers (聖数, pinyin: shèngshù), which are further split into two groups

Kanji: 耳

By Ponte Ryūrui / 01/03/2012 / 1 Comment

耳 belongs to the 象形文字 (しょうけいもじ, shōkeimoji, i.e. set of characters of pictographic origin). It is a pictograph of a human ear.

Logic Behind The Magic – Brush Techniques, Part II (b).

By Ponte Ryūrui / 16/02/2012 / 0 Comments

単包法 (たんほうほう, tanhō hō）, where the ring finger and the small finger are adjacent to the inner side of the palm, and the brush is held with the three remaining

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Cursive Script

Kanji: 森

Kanji: 女

Kanji: 出

Kanji: 十

Kanji: 手

Logic Behind The Magic – Brush Techniques, Part III (b)

Kanji: 車

Kanji: 七

Kanji: 耳

Logic Behind The Magic – Brush Techniques, Part II (b).

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