Nushu characters are not of a semantic nature. They have phonetic relevance to the local Chengguan dialect (城關土話, pinyin: Chéngguān tǔhuà), which is why
Read Morein his brilliant writing that crosses the boundaries of several centuries, crushing norms, opposing the canons of the mighty Tang and reaching straight to our heart.
Read MoreIn this series of articles I will focus on the methods of using a calligraphy brush (筆法, ひっぽう, hippō, lit. “principles of the brush”), defining the basic
Read Moretradition led to the development of what is referred to as wayou shodou. The pioneers of this style were the famous Sanpitsu (三筆, さんぴつ, i.e. “three
Read MoreAs Wang Xizhi wrote in his Preface, the weather on that day was gorgeous, with mild wind and sunny skies.
Read MoreThose of us who choose the path of Sho (書, しょ, i.e. “to write”; here: “East Asian calligraphy”) study calligraphy all of their lives, not to become
Read MoreThe art of seal pressing is a vital part of both calligraphy and ink-painting. Without knowledge of how and what kind of seal to press, one can never be
Read MoreAll Japan Calligraphy Art and Literature Association (全日本書芸文化院, ぜんにほんしょげいぶんかいん, Zen Nihon Shogei Bunkain) was formed 61 years ago by Masters of the
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