How do you feel about calligraphy? Do you find it stiff and formal? Do you find it boring and uninteresting? Chinese and Japanese Calligraphy has a very long history, and calligraphers must follow its foundations, its rules for creating. They are very strict and formal. Learning the history and the formalities can be interesting whether…
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東京・駒込。JR山手線の駅東口を出て、下町の商店街を横目に線路沿いを歩いて横道に入ったところにある落ち着いた画廊で、毎年、”書道書道していない書展”が行なわれている。
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Then there is Urban Calligraphy. His own words about what that means are illuminating but none more so than seeing the work itself. Responding to what is, finding the
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The Lion-Parkson Foundation organised a Chinese New Year Calligraphy Exhibition-cum-charity sale recently to raise funds to help needy students in Chinese schools.
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The exhibition was held with the hope of nurturing a younger generation of calligraphers in the tradition of Wang Xizhi (王羲之) and Kukai (空海).
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この展覧会は、新しい時代の 王羲之 や空海を輩出したい、若い世代を育てたい、という想いを持つ、株式会社リンクスの担当者により7年前に企画され、開催されるようになりました。以後、毎年20-30代の書人に貴重な発表の場を提供し続けてきた素晴らしい展覧会です。
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Up until now there has been little to help the Western public to understand Chinese calligraphy, beyond appreciating it as an abstract art form.
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Master Yamada is the organizer of “Calligraphy Friends From All Over Japan” and a member of the judging panel of the Mainichi Shodo Exhibition, one of the largest
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山田 先生は、「全国書の仲間展佑友」の主宰者であり、日本で最も大きい公募展「毎日書道展」の審査会員でもあります。
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calligraphers ranging in age from 8 years old to their 50s, all expressing themselves regardless of their age and their calligraphy career and styles.
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