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calligraphy exhibition

Figure_2_calligraphy_exhibition_to_raise_funds_for_four_independent_chinese_schools

Calligraphy exhibition to raise funds for four independent Chinese schools

By Beyond Calligraphy / 02/02/2013 /

The Lion-Parkson Foundation organised a Chinese New Year Calligraphy Exhibition-cum-charity sale recently to raise funds to help needy students in Chinese schools.

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figure 1 symphony of ink PII 218x300 218x300 - Symphony of Ink, Part II

Symphony of Ink, Part II

By Ponte Ryūrui / 25/06/2012 /

The work itself is mesmerizing, a brilliant ink application. The dry strokes, so called “kasure” (掠れ, かすれ) in Japanese, ought to add dynamism yet sometimes

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figure 1 filtered symphony of ink p1 300x205 300x205 - Symphony of Ink, Part I

Symphony of Ink, Part I

By Ponte Ryūrui / 23/04/2012 /

Calligraphy, like music is based upon harmony. It takes a Master Calligrapher to compose a symphony of ink, a masterpiece as brilliant as nature itself, one

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figure 1 magnificent ink giants 300x205 300x205 - Magnificent Ink Giants

Magnificent Ink Giants

By Ponte Ryūrui / 21/02/2012 /

To give you some comparisons, it takes me approximately 12-15 hours to prepare 0.5 litres of ink, and I use an ink grinding machine that is capable of

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figure 1 40th anniversary all japan calligraphy 300x241 300x241 - 40th Anniversary Exhibition of All Japan Calligraphy Art and Literature Association, Part I.

40th Anniversary Exhibition of All Japan Calligraphy Art and Literature Association, Part I.

By Ponte Ryūrui / 08/01/2012 /

All Japan Calligraphy Art and Literature Association (全日本書芸文化院, ぜんにほんしょげいぶんかいん, Zen Nihon Shogei Bunkain) was formed 61 years ago by Masters of the

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figure 1 choosing works for decembers exhibition 1024x720 300x211 - Selecting works for a calligraphy exhibition

Selecting works for a calligraphy exhibition

By Ponte Ryūrui / 02/10/2011 /

Every calligraphy exhibition is an extremely important event, but the December’s exhibition is particularly significant. It is most likely the biggest

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figure 4 konohana kai 1024x694 300x203 - The 82nd calligraphy exhibition of Konohana Kai (斯華会), Part 2.

The 82nd calligraphy exhibition of Konohana Kai (斯華会), Part 2.

By Ponte Ryūrui / 22/09/2011 /

It further emphasizes the gently cascading composition of this calligraphy, showing the skill of the calligrapher. Delicate ink accents suggest that it

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figure 1 konohana kai 1024x695 300x204 - The 82nd calligraphy exhibition of Konohana Kai (斯華会), Part 1.

The 82nd calligraphy exhibition of Konohana Kai (斯華会), Part 1.

By Ponte Ryūrui / 22/09/2011 /

The 斯華会 (このはなかい, Konohana Kai) calligraphy association was founded by Master Ono Gadō (小野 鵞堂, おのがどう, 1862 – 1922)110 years ago. 鵞堂 (lit. “Goose Temple”) was

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figure 5 mushin kai 1024x695 300x204 - 59回無心会書展 – 59th Calligraphy exhibition of Mushin Kai (Part 2).

59回無心会書展 – 59th Calligraphy exhibition of Mushin Kai (Part 2).

By Ponte Ryūrui / 20/09/2011 /

The style of this calligraphy brilliantly contrasts with its meaning: “to become silent and pray peacefully” (黙而祈寧), depicting complexity of the relation

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figure 1 mushin kai 300x243 300x243 - 59回無心会書展 – 59th Calligraphy exhibition of Mushin Kai (Part 1).

59回無心会書展 – 59th Calligraphy exhibition of Mushin Kai (Part 1).

By Ponte Ryūrui / 20/09/2011 /

I visited the 59th calligraphy exhibition of 書道研究 無心会 (しょどうけんきゅうむしんかい, shodō kenkyū mushin kai, i.e. Mushinkai Calligraphy Research Organisation). 無心会 is

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