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Restoring a 100+ year old Unpei fude (maki fude) brush

By Rona Conti / 11/03/2013 /

Unpei fude is also known as kami maki fude (紙巻筆, かみまきふで), or, maki fude, literally meaning “(paper) wrapped brush”, and the construction of maki fude

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figure 1 filtered symphony of ink p1 300x205 300x205 - Symphony of Ink, Part I

Symphony of Ink, Part I

By Ponte Ryūrui / 23/04/2012 /

Calligraphy, like music is based upon harmony. It takes a Master Calligrapher to compose a symphony of ink, a masterpiece as brilliant as nature itself, one

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figure 1 logic behind the magic brush techniques pIIIb 202x300 202x300 - Logic Behind The Magic - Brush Techniques, Part III (b)

Logic Behind The Magic – Brush Techniques, Part III (b)

By Ponte Ryūrui / 15/03/2012 /

Characteristic of small seal script, note the circular movement of the brush tip at the beginning of each stroke, indicating the application of the “hidden spear”

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figure 1 logic behind the magic brush techniques pIIIa 194x300 194x300 - Logic Behind The Magic - Brush Techniques, Part III (a).

Logic Behind The Magic – Brush Techniques, Part III (a).

By Ponte Ryūrui / 28/02/2012 /

the way in which the brush is controlled by the arm, wrist and finger, allowing the calligrapher to write a desired line.

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figure 1 logic behind the magic brush techniques pII b 1 214x300 214x300 - Logic Behind The Magic – Brush Techniques, Part II (b).

Logic Behind The Magic – Brush Techniques, Part II (b).

By Ponte Ryūrui / 16/02/2012 /

単包法 (たんほうほう, tanhō hō）, where the ring finger and the small finger are adjacent to the inner side of the palm, and the brush is held with the three remaining

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figure 1 logic behind the magic brush techniques pII a 205x300 205x300 - Logic Behind The Magic – Brush Techniques, Part II (a)

Logic Behind The Magic – Brush Techniques, Part II (a)

By Ponte Ryūrui / 14/02/2012 /

In the pair grip method, the brush axis is held between the thumb, and the index finger merges with the middle finger (first pair), supported from underneath

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figure 1 logic behind the magic brush techniques pI 203x300 203x300 - Logic Behind The Magic – Brush Principles, Part I.

Logic Behind The Magic – Brush Principles, Part I.

By Ponte Ryūrui / 31/01/2012 /

In this series of articles I will focus on the methods of using a calligraphy brush (筆法, ひっぽう, hippō, lit. “principles of the brush”), defining the basic

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figure 4 when the mind soars the brush dances 203x3001 203x300 - When the Mind Soars, the Brush Dances: calligraphy research meetings

When the Mind Soars, the Brush Dances: calligraphy research meetings

By Ponte Ryūrui / 14/01/2012 /

Those of us who choose the path of Sho (書, しょ, i.e. “to write”; here: “East Asian calligraphy”) study calligraphy all of their lives, not to become

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figure 1 choosing calligraphy brush P2 300x172 300x172 - Searching for a Soul Mate – choosing a calligraphy brush. Part II

Searching for a Soul Mate – choosing a calligraphy brush. Part II

By Ponte Ryūrui / 14/12/2011 /

As with everything in life, one’s first impression is crucial. You will spend hours working together with a brush that you choose, so make sure you enjoy its

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figure 1 choosing calligraphy brush P1 179x300 179x300 - Searching for a Soul Mate – choosing a calligraphy brush. Part I

Searching for a Soul Mate – choosing a calligraphy brush. Part I

By Ponte Ryūrui / 09/12/2011 /

A calligraphy brush is not simply a tool used for writing. It is a warp gate to freedom of mind, a storyteller of artist soul’s secrets, a mysterious

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