書法

59回無心会書展 – 59th Calligraphy exhibition of Mushin Kai (Part 2).

By Ponte Ryūrui / 20/09/2011 /

The style of this calligraphy brilliantly contrasts with its meaning: “to become silent and pray peacefully” (黙而祈寧), depicting complexity of the relation

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59回無心会書展 – 59th Calligraphy exhibition of Mushin Kai (Part 1).

By Ponte Ryūrui / 20/09/2011 /

I visited the 59th calligraphy exhibition of 書道研究 無心会 (しょどうけんきゅうむしんかい, shodō kenkyū mushin kai, i.e. Mushinkai Calligraphy Research Organisation). 無心会 is

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Kanji: 九

By Ponte Ryūrui / 16/09/2011 /

九 belongs to the 象形文字 (しょうけいもじ, shōkeimoji, i.e. set of characters of pictographic origin). It is a pictograph of a dragon, or more precisely a dragon-serpent

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Kanji: 気

By Ponte Ryūrui / 13/09/2011 /

気 belongs to the 形声文字 (けいせいもじ, keiseimoji, i.e. phono-semantic compound characters). This is by far the largest group of Chinese characters,

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Preparations for a calligraphy exhibition

By Ponte Ryūrui / 12/09/2011 /

At times I am asked to submit works for calligraphy exhibitions in Japan. There are various events that take place here and there, and some of them are

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Kanji: 学

By Ponte Ryūrui / 01/09/2011 /

学 belongs to the 会意文字 (かいいもじ, kaii moji, i.e. set of characters that are a combination of two or more pictographs, or characters whose meaning was based on

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Hand-written Chinese characters vs. computer font.

By Ponte Ryūrui / 28/08/2011 /

Vast majority of young people in Japan has troubles with remembering how to reconstruct given Hand-written Chinese character from their memory, and

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Kanji: 花

By Ponte Ryūrui / 27/08/2011 /

花 belongs to the 形声文字 (けいせいもじ, keiseimoji, i.e. phono-semantic compound characters). This is by far the largest group of Chinese characters, concluding

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The calligraphy exhibition of Master Ishitobi Hakkō (石飛博光), Tōkyō, July 2011, Part 3.

By Ponte Ryūrui / 23/08/2011 /

Master Ishitobi Hakkō did not simply copy this masterpiece. He enhanced it with his own interpretation. It is not the exact copying skills that show

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The calligraphy exhibition of Master Ishitobi Hakkō (石飛博光), Tōkyō, July 2011, Part 2.

By Ponte Ryūrui / 19/08/2011 /

Calligraphy is a “heart imagery”, which offers us magical powers to paint with words of the soul. It is a poem within a poem, a painting within a painting,

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