The modern form of な comes from the cursive form of the kanji 奈 (な, na, i.e. “Nara”, “what”). Follow the progression of the different scripts shown in
Read MoreThe modern form of と comes from the cursive form of the kanji 止 (し, shi, i.e. “stop”, “halt”). Follow the progression of the different scripts shown in
Read MoreThe modern form of て comes from the cursive form of the kanji 天 (てん, ten, i.e. “heaven”, also “deva”). Follow the progression of the different scripts shown
Read MoreThe modern form of つ comes from the cursive form of the kanji 川 (かわ, kawa, i.e. “river”). Follow the progression of the different scripts shown in
Read MoreThe modern form of た comes from the cursive form of the kanji 太 (た, ta, i.e. “plump”, “thick”). Follow the progression of the different scripts shown in
Read MoreIt further emphasizes the gently cascading composition of this calligraphy, showing the skill of the calligrapher. Delicate ink accents suggest that it
Read MoreThe 斯華会 (このはなかい, Konohana Kai) calligraphy association was founded by Master Ono Gadō (小野 鵞堂, おのがどう, 1862 – 1922)110 years ago. 鵞堂 (lit. “Goose Temple”) was
Read MoreThe style of this calligraphy brilliantly contrasts with its meaning: “to become silent and pray peacefully” (黙而祈寧), depicting complexity of the relation
Read MoreI visited the 59th calligraphy exhibition of 書道研究 無心会 (しょどうけんきゅうむしんかい, shodō kenkyū mushin kai, i.e. Mushinkai Calligraphy Research Organisation). 無心会 is
Read MoreMaster Ishitobi Hakkō did not simply copy this masterpiece. He enhanced it with his own interpretation. It is not the exact copying skills that show
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