Spätere Siegelschrift-Formen des Schriftzeichens 上 wurden von denen der Orakelknochenschrift und kinbun abgeleitet.
Shu shen (許慎, pinyin: Xǔ Shèn, ca. 58 C.E. – ca. 147 C.E.), the meaning of the character 人 was associated with the virtues of Heaven and Earth (i.e. the universe).
森 folgt einem Konzept von drei Piktogrammen des Schriftzeichens für Baum (木, き, ki), kombiniert in einem einzigen Zeichen und betont somit kräftigen
森 follows a concept of three pictographs of a tree (木, き, ki) combined in one character, and it emphasises thick tree growth, i.e. woods.
the character 上 originally meant “the higher part (or place)”, and it was represented by two horizontal lines. In later stages its meaning was broadened to
Xiao Xu Ben a revision of Shuowen Jiezi written by the Late Han dynasty scholar Xu Kai, supports the above mentioned definition of 小, by further explanation
a philologist of the Han dynasty (漢朝, pinyin: Hàn Cháo, 206 B.C. – 220 C.E.) is quite simple and straight forward. Xu states that the character 女 represents a woman.
The shape of the character 出 symbolises a step forward executed with vigour; each step starts from placing the heel on the ground. A strongly placed foot
the shape of 十 was based on the concept of a vertically oblong tool used for calculations (Figures 1 and 2). Please also refer to the etymology of the
Although the modern form of the character 手 may be somewhat misleading (6 fingers), the “hand” radical 扌 still resembles the ancient pictographs. One must remember