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Archive for June 2013

Sumi-e slikarstvo iz perspektive tradicionalno-akademski školovanog europskog umjetnika

By Alfred Krupa | 11/06/2013 | 0
figure_2_sumi-e_from_the_perspective_of_a_traditional_academically-trained_european_artist

Ono što najviše poštujem unutar sumi-e slikarstva je njegova priroda kontrasta, opozicije, vizualno-morfološke tenzije koja teče tijekom njegove primjene.

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From Sumi-e to Facebook scams, the weeks wrap up of interesting links

By Dave Gosine | 07/06/2013 | 0
from_sumi-e_to_facebook_scams_1

From Sumi-e to Facebook scams, the weeks wrap up of interesting links

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次世代の若き 篆刻 家にインタビュー！part2

By Sakiko Yanagisawa | 01/06/2013 | 0
figure_7_how_the_young_are_keeping_the_fine_art_of_seal_engraving_alive_p2_kato_ujin

前回、展覧会の作品をピックアップしてレポートいたしましたが、今回は 篆刻 家にスポットをあててご紹介します。

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Recent Posts

  • Abstract Art and Abstract Calligraphy
  • Empowerment of Women in Medieval Times and Kana Shodo
  • The Love for Shodo
  • Israel and Japan: An International Exchange of Japanese Calligraphy
  • Is language, and in our sphere of interest, written language not a ‘reaching out’ and a ‘taking in’, an active force?

Recent Comments

  • zindhy miyake on A Sunday Drive with Saburo Hasegawa, an Asian American Pioneer of Abstract Calligraphy
  • onthebridgeway on Empowerment of Women in Medieval Times and Kana Shodo
  • Keith Wilson on Abstract Art and Abstract Calligraphy
  • dosankodebbie on An Introduction to the Art of Etegami
  • Dan Strawn on A Sunday Drive with Saburo Hasegawa, an Asian American Pioneer of Abstract Calligraphy

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