Original text, art and photography: Mariusz Szmerdt
English translation: Ponte Ryuurui (品天龍涙)
German translation:Antje Goldflam
The art of ink painting (墨絵, すみえ, sumi-e), being a discipline native to Far Eastern cultures (mainly China and Japan), is rather exotic in Poland, my home country, especially for a person not acquainted with Asian cultures. Fortunately, the nature of art is boundless and has allowed me to venture deep into its alluring realm.
My fascination with Japan and its culture began with martial arts. The spirit and mind-set required for training in martial arts corresponds to that of the art of ink painting and calligraphy. Following the path of budou (武道, ぶどう, budō, i.e. “martial arts”), I embraced the philosophy of Buddhism and Zen. This led me to discover Japanese painting which charmed me with its profound depth and aesthetic sophistication expressed through simplicity of form. To that medium my heart dedicated itself forever, and today my life is defined by traces of ink.
I grew up surrounded by artists. Despite a busy life, my mother always found the time to set up her easel and brushes and to paint. Beckoned by my artistic instincts, my attention drawn magnetically, I offered my own soul to the world of colours and light. Spending many years studying various painting techniques beginning with oil, water colours, through charcoal, pencil, and even stained glass-work, my first contact with ink was made through the art of tattoo, practiced professionally in my studio for 13 years. However, when I discovered the art of East Asian ink painting, I realised that it was precisely what I was searching for subconsciously, allowing me to express myself artistically without any reservations or restraints. When I paint with ink, I feel as if my art is perfectly attuned to my mind and spirit.
The ethereal nature and stunning simplicity of the art of ink painting, as well as its rich spirituality, had me decide that this is the path I shall follow. It is not only a form of art in which my artistic potential is fully realized, it is also closely related to the philosophy of Buddhism, still present and very important in my life.
In Ink painting is found the essence of the Universe, free of unnecessary brush movements or corrections that destroy energy flow (行気, ぎょうき, gyōki). A magic-like form of painting, it introduces the viewer to a whole new world of surreal and symbolic dreams which stimulate the imagination. The purpose of ink painting is to sense the delicate nature and impermanence of morning dew on spring grass, to feel the cold of snow and the warmth of the reflecting rays of the sun, to hear the sounds of birds crying in the crystal air on a winter day or to comprehend the precise dynamics of a warrior’s movements and the powers that define them, these are all ink painting’s essence.
I have never had a true master to guide me through the maze of styles and schools of ink painting. Unfortunately, here in Poland, it is very unlikely that I will find one. My paintings are defined by my personal views and canons and mirror a very individual and raw approach to this art. If my art allows the viewer to detach from their surrounding reality even for a split second and flow on the creek of its uplifting energy, as artist, I am hugely rewarded and blessed.
The sheer purpose of art is to evoke hidden sensations, to move and to touch, and to bring people together through untainted emotions. Ink painting is a wonderful medium, and, like music, it makes us forget our worldly differences, stereotypes, language barriers, religions, and all of the social ties which divide us like an abyssal rift.
I like comparing ink painting to rock climbing about which I am also passionate. Both are based upon moves that cannot be corrected, as there is no room for error. Both are ways of meditation. Ink painting is a world of dots, splashes, blurs and even colours on a white background, creating a bridge for our mind to cross over to the other side of human perception. When the body is one with the mind, each move mirrors the state of the artist’s soul. Both require a calm mind and peaceful atmosphere, self-control, but at the same time untamed expressiveness and energetic moves. All of these states of mind coexist harmoniously and are present in each painting or rock climbing session. To discover them one must contemplate a painting or a mountain and understand all of the elements and relationships between the mind/body and the subject.
Ink painting is a path of life. One works continuously on developing one’s inner self, new possibilities and undiscovered talents. It is an infinite path, all consuming and never ending.
About: Mariusz Szmerdt
Born in Poland 1973.
Contact E-email
Member of “International Chinese Calligraphy & Ink Painting Art Society” (ICCPS), Tokyo, Japan. Alpinist, painter (who is trying to make the art of ink painting popular in Poland), amateur photographer who enjoys outdoor activities. Loves open space and nature. Buddhist who prefers to stay as far away from politics and suits as is humanly possible. Retired martial artist (aikido and karate). Enthusiast of white weaponry with a particular weakness towards Japanese swords. Loves history, antiques, old castles, and haiku, though feels that writing poetry is not his forte. Eternally wandering, his favourite quote is “To each his own Everest”. Continuously in search of a Master who would lead him along the path of ink painting. Inspired by his wife, son, and the wonders of Mother Earth.