As Wang Xizhi wrote in his Preface, the weather on that day was gorgeous, with mild wind and sunny skies.
Read More
Dragons in Far Eastern mythology are benevolent creatures; bearers of wisdom, power, and positive energy. Together with a phoenix, dragon’s Yin counterpart
Read More
Before writing rinsho, I always try to obtain the printout of the entire work (both in colour [if available] and ink rubbing [拓本, たくほん, takuhon]). Naturally, sometimes it
Read More
Completely immersed in studying rinsho. It is a great sensation, like entering a deep surreal dream or a plane in another dimension, far from this world and
Read More
Wáng Xīzhī, like many calligraphers, was absent minded, and when completely immersed in his studies, he tended to forget himself. One day, he left his
Read More
In Western terms, Wáng Xīzhī is to Chinese calligraphy as Michelangelo is to sculpture or Shakespeare to literature. Although none of his original work
Read More
The modern form of な comes from the cursive form of the kanji 奈 (な, na, i.e. “Nara”, “what”). Follow the progression of the different scripts shown in
Read More
The modern form of と comes from the cursive form of the kanji 止 (し, shi, i.e. “stop”, “halt”). Follow the progression of the different scripts shown in
Read More
The modern form of て comes from the cursive form of the kanji 天 (てん, ten, i.e. “heaven”, also “deva”). Follow the progression of the different scripts shown
Read More
The modern form of つ comes from the cursive form of the kanji 川 (かわ, kawa, i.e. “river”). Follow the progression of the different scripts shown in
Read More