Before writing rinsho, I always try to obtain the printout of the entire work (both in colour [if available] and ink rubbing [拓本, たくほん, takuhon]). Naturally, sometimes it
Read MoreSeal placement and the quality of the seal impression, so called “seal shadow” (印影, いんえい, in-ei), are crucial and require focus and good sense of
Read MoreCompletely immersed in studying rinsho. It is a great sensation, like entering a deep surreal dream or a plane in another dimension, far from this world and
Read MoreAs with everything in life, one’s first impression is crucial. You will spend hours working together with a brush that you choose, so make sure you enjoy its
Read MoreA calligraphy brush is not simply a tool used for writing. It is a warp gate to freedom of mind, a storyteller of artist soul’s secrets, a mysterious
Read MoreWáng Xīzhī, like many calligraphers, was absent minded, and when completely immersed in his studies, he tended to forget himself. One day, he left his
Read MoreIn Western terms, Wáng Xīzhī is to Chinese calligraphy as Michelangelo is to sculpture or Shakespeare to literature. Although none of his original work
Read MoreIn this article on hanging scrolls I would like to explain one of the correct ways of signing the protective box that comes with the scroll.
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