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Artists

Figure_10-huang_yao_unique_chinese_calligraphy

Huang Yao ’s unique Chinese calligraphy – Chuyun Shu (or Rising Cloud Writing) – Part 2

By Huang Yao / 02/02/2013 / 0 Comments

Huang Yao’s early Chuyun Shu had a naïve childlike look, but with practice his writing became more “mature” in the early 1950s as in Figure.4, and finally in the late 1970s

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Simon Silaidis - UrbanCalligraphy

Urban Calligraphy – Simon Silaidis

By Dave Gosine / 29/01/2013 / 0 Comments

Simon Silaidis is a designer, in the past year he developed a newly found passion for urban calligraphy. Simon’s style is a mix of Western, Asian and Arabian calligraphy

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Figure_7-huang_yao_unique_chinese_calligraphy

Huang Yao ’s unique Chinese calligraphy – Chuyun Shu (or Rising Cloud Writing) – Part 1

By Huang Yao / 28/01/2013 / 0 Comments

Huang Yao’s father taught his young six year old son calligraphy and painting, according to the tradition of literati families.

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figure_10_producing_wang_xizhi_and_kukai_of_a_new_era

Wang Xizhi and Kukai of a new era

By Beyond Calligraphy / 06/12/2012 / 0 Comments

The exhibition was held with the hope of nurturing a younger generation of calligraphers in the tradition of Wang Xizhi (王羲之) and Kukai (空海).

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stroke-of-luck-the-power-of-a-brush-stroke-recovery-art

Stroke of Luck ~ The Power of a Brush Stroke

By Casey Shannon / 30/10/2012 / 0 Comments

I experienced a massive left hemisphere brain-stem stroke four days after my 36th birthday. In an instant, I was paralyzed.

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Figure_1_master_usuki_photo

Inspiration and Kana(Interview with Master Usuki )

By Dave Gosine / 19/10/2012 / 1 Comment

Master Usuki participates actively mainly in Kansai area, and also is an administration officer of Yomiuri Calligraphy Exibhition (読売書法展理事), 日展入選, councilor

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Feeling the Echo of Ink: An interview with Master Yamada.

By Rona Conti / 12/09/2012 / 4 Comments

Master Yamada is the organizer of “Calligraphy Friends From All Over Japan” and a member of the judging panel of the Mainichi Shodo Exhibition, one of the largest

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Calligraphy works: 龍 (りゅう, ryū), i.e.”dragon”

By Ponte Ryūrui / 26/07/2012 / 0 Comments

龍 (りゅう, ryū), i.e.”dragon”. The treasures used were a soft mountain goat brush (羊毛筆) with a long and thin bristle accompanied by thick but dry ink, which

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Encounters with Brushes: Part I

By Rona Conti / 09/07/2012 / 9 Comments

My encounters with brushes continued through college. When I landed in Boston I set up a painting studio, but a place to do ceramics was more challenging.

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Symphony of Ink, Part II

By Ponte Ryūrui / 25/06/2012 / 0 Comments

The work itself is mesmerizing, a brilliant ink application. The dry strokes, so called “kasure” (掠れ, かすれ) in Japanese, ought to add dynamism yet sometimes

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